No matter how good your action camera— or any recording device— is, you can’t count on its built-in microphone completely. The audio is just as vital as the visual component, so you can’t risk its quality. You’ll likely mess up the audio without a dedicated microphone, especially if you’re always on the move. On that note, an action camera microphone attachment is a must-have accessory for any content creator, videographer, or enthusiast.
Let’s dive in to find out what the best camera microphone attachment for your device is!
Top 10 Products
- Rode Wireless GO II
- SENNHEISER MKE 400
- Rode VideoMicro II
- SYNCO G2(A2)
- Rode VideoMic Pro+
- MOVO VXR10-PRO
- MOVO GM100
- Saramonic SR-XM1 Ultra-Compact Unidirectional 3.5mm TRS Microphone
- BOYA BY-MM1
- SENNHEISER MKE 200
1. Rode Wireless GO II
If you have the budget for a sophisticated dual-channel wireless microphone system for your action camera, you might like the Rode Wireless GO II. It has universal compatibility with various devices, so it doesn’t only work for action cameras. You can also use it with your smartphones and computers.
This camera microphone is one of the lightest you’ll find on the market. You can easily carry it anywhere you go, and you won’t even notice the weight. With the hand-carry pouch provided, you can organize the whole kit easily and pack it in your bag.
The Rode Central app allows you to configure your microphone, access files, and update the firmware. The downside is that you can’t easily transfer or export the files because you can only do so using the app. It’s good that Rode uses a centralized ecosystem, but if it glitches, you have no choice but to wait or be patient. Moreover, the interface isn’t that user-friendly, and it might take time for you to get used to it.
Where to buy
Specifications
- Weight (TX): 30 g
- Weight (RX): 32 g
- Dimensions (TX): 44 mm (L) x 45.3 mm (W) x 18.3 mm (H)
- Dimensions (RX): 44 mm (L) x 45.5 mm (W) x 18.3 mm (H)
- Acoustic Principle: Pre-Polarized Pressure Transducer
- Polar Pattern: Omnidirectional
- Frequency Range: 50 Hz to 20 kHz
- Maximum SPL: 100 dB SPL
- Maximum Input Level: -20 dBV
- Microphone Preamp Gain: 20 dB
- Equivalent Noise Level: 22 dBA
- Analog Inputs: 3.5 mm TRS
- Analog Outputs: 3.5 mm TRS
- Transmission Range: 200 m
- Computer Connectivity: USB Type-C
- OS Requirements: macOS 10.11 and above, Windows 10 and above
- What’s in the Box: 3 SC20, 3 Furry, 2 Transmitter, SC5, Receiver, Pouch Bag
What we like
- Universal compatibility
- Lightweight
- Comes with a hand-carry pouch
- Firmware can be updated
What we don’t like
- Rode Central app isn’t that user-friendly
2. SENNHEISER MKE 400
The SENNHEISER MKE 400 is a directional shotgun microphone that enhances your camera’s audio quality. It picks up clear audio from the direction it’s facing and effectively blocks unwanted noises, especially outdoors.
The three-step sensitivity switch allows for distortion-free audio in almost all environments. The low-cut filter improves clarity. If you’re constantly moving, this microphone might still pick up jitters. Manage your expectations carefully in these situations, such as when you’re recording a video while on a motorcycle ride. Nevertheless, the results are nearly flawless in stationary settings or outdoor interviews.
This microphone is quite pricey for the casual vlogger or action camera user, but it delivers on its promise of sturdy construction. It’s also user-friendly and efficient because it automatically turns on once connected to your camera. As such, you no longer have to do reshoots simply because you forgot to power on your mic. Similarly, it automatically powers off when disconnected from your device.
Where to buy
Specifications
- Weight: 93.5 g
- Dimensions: 126 mm x 67 mm x 37 mm
- Frequency Response: 50 to 20,000 Hz
- Maximum Sound Pressure Level: 132 dB SPL
- Transducer Principle: Pre-Polarized Condenser
- Power Supply: 2 AAA/LR03 Size, 1.5 V
- What’s in the Box: MKE 400 On-Camera Microphone, CL 35 TRS, CL 35 TRRS, MZH 400 Furry Windshield, Drawstring Pouch
What we like
- Delivers clear audio outputs
- Sturdy
- User-friendly
- Automatically powers on when the camera it is connected to is turned on
What we don’t like
- Can pick up jitters when there’s a lot of movement
- Quite pricey
3. Rode VideoMicro II
For run-and-gun applications, the Rode VideoMicro II is a pretty decent option. It’s easy to use. Without a battery, it only requires to be plugged into your camera or smartphone to start recording. The 3.5 mm TRS and TRRS cables allow you to connect it with most devices, not just action cameras.
The sound quality isn’t that of a sophisticated recording studio, but it’s good enough for you to understand the audio clearly. The HELIX isolation mount system helps reduce handling noises, especially when there’s a lot of movement involved while shooting.
This action camera microphone attachment is lightweight and compact, so it makes sense to have it in your camera bag. However, note that it doesn’t come with its own carrying pouch. You might need to buy a separate case to keep it organized in your bag.
This Rode mic is also low-profile and inconspicuous. It won’t get in the frame or interfere with your shots.
Where to buy
Specifications
- Weight: 39 g
- Dimensions: 80 mm (L) x 22 mm (D)
- Acoustic Principle: Pressure Gradient, Electret Condenser
- Polar Pattern: Super Cardioid
- Frequency Response: 20 Hz to 20 kHz
- Maximum SPL: 110 dB SPL
- Output Connection: 3.5 mm TRS
- What’s in the Box: VideoMicro II, SC13, SC7, Pop Filter, WS12, HELIX Isolation Mount
What we like
- Decent option for run-and-gun shoots
- Easy to use
- Doesn’t require a battery
- Compatible with most recording devices
- Isolation mount can minimize unwanted sounds
- Compact
- Low-profile
What we don’t like
- Doesn’t include a carrying case
4. SYNCO G2(A2)
The SYNCO G2(A2) is ideal for recording two sources or doing interviews because of its dual-channel wireless system. The two transmitters are connected to a receiver that records audio in two independent channels.
An upgraded version of its predecessor, this camera microphone attachment has a TFT display on each unit. This display indicates real-time battery status, so you never have to guess whether you already need to charge the device or not.
This mic is marketed to record continuously for eight hours when fully charged. It does have a decent battery life, but the downside with a lithium-ion battery is that it isn’t replaceable. If it stops working, the whole thing becomes useless.
Given its small size, this SYNCO microphone is easy to hide during shoots. It won’t get in the way of your interviews or video recordings.
In terms of audio quality, this microphone delivers satisfactory results. The hisses and unwanted sounds are kept to a minimum, if not nonexistent, especially if you’re shooting in a quiet area. For its budget-friendly price, you can hardly complain.
Where to buy
Specifications
- Weight (TX), Weight (RX): 39 g
- Dimensions (TX), Dimensions (RX): 52 mm x 42 mm x 17 mm
- Frequency Response (TX): 20 Hz to 20 kHz
- Audio Input (TX), Audio Output (RX): ⅛” / 3.5 mm TRS
- Battery Type: Built-In Lithium Battery
- Polar Pattern: Omnidirectional
- Maximum SPL: 135 dB SPL
What we like
- Ideal for recording two audio sources (i.e., interviews)
- TFT display shows real-time device status, including battery levels
- Decent battery life
- Inconspicuous
- Satisfactory audio quality
What we don’t like
- Built-in battery isn’t replaceable
5. Rode VideoMic Pro+
If you’re a serious content creator, you might find value in getting the Rode VideoMic Pro+ despite its expensive price tag. When connected to your camera, it automatically activates once the camera powers on and turns off once the camera powers off. You don’t have to worry about missing audio recordings because you forgot to turn the mic on.
Redundancies are also in place, so you can completely rely on this mic. The safety channel backs up your recordings.
However, if you’re shooting in a dense environment or among large crowds, this action camera microphone might pick up a lot of unnecessary background noises. It takes trial and error to get the proper settings to minimize the pick-up of unwanted sounds.
The integrated Rycote Lyre mount might help when shooting on the move. This shockproof mount reduces handling noises, which is common when you’re shooting during an outdoor activity.
This microphone offers flexibility in terms of power. You can use it using AA batteries or a rechargeable battery. A USB is also available if you want to plug it into a power source while using it.
Where to buy
Specifications
- Weight: 122 g
- Dimensions: 111 mm (H) x 66 mm (W) x 170 mm (D)
- Acoustic Principle: Line Gradient
- Active Electronics: JFET Impedance Converter
- Polar Pattern: Supercardioid
- Maximum SPL: 133 dB SPL
- Equivalent Noise Level: 14 dBA
- Power Requirements: Rode LB-1 Rechargeable Lithium-Ion Battery or Micro USB
- Output Connection: Minijack/3.5 mm TRS
- What’s in the Box: VideoMic Pro+, LB-1, TRS Cable
What we like
- Ideal for professional content creators
- Automatically turns on when connected to a powered-on camera
- Safety channel creates backup recordings
- Shock mount helps contain vibrations and minimize handling sounds
- May be powered by removable or rechargeable batteries, or plugged into a power source
What we don’t like
- Expensive
- Can pick up ambient noises in packed or loud environments
6. MOVO VXR10-PRO
The MOVO VXR10-PRO is a quick solution for your shotgun microphone needs. It has an innovative design that requires no battery, so running out of power would be the least of your worries. Once connected to your camera or smartphone, it automatically works by drawing power from the device.
Thanks to the 3.5 mm TRS and TRRS adapters, this camera microphone is compatible with most recording devices. You can use it to improve the audio quality of your videos, whether you’re using action, DSLR, or mirrorless cameras, or even your smartphone.
Shooting while on the move is pretty challenging, especially if you want crisp audio for your video. This is where the Rycote Lyre shock mount comes in handy because it helps minimize handling sounds and vibrations.
The problem with this mount is that it’s so fragile that it can break easily if not handled with extreme care. Putting the mic in it is a delicate process, which is why many users opt not to remove it anymore once attached to the microphone.
Where to buy
Specifications
- What’s in the Box: 3.5 mm to TRRS Adapter, 3.5 mm to TRS Adapter, Carrying Case, Rycote Lyre Shockmount, Shotgun Microphone, Windscreens
What we like
- Battery-free operation
- Compatible with different cameras and smartphones
- Shock mount reduces vibrations and handling noises
What we don’t like
- Not that heavy-duty
- Mount requires extreme care when attaching to the unit
7. MOVO GM100
For GoPro HERO3, HERO3+, and HERO4, the MOVO GM100 is an excellent choice. It’s a compact lavalier lapel microphone with an omnidirectional pickup pattern. It does pick up ambient sounds, but the main focus is your subject or speaking voice. If there are side noises, they’re minimal or hardly noticeable to a regular audience.
Given its small size, this MOVO mic fits in any standard camera kit. It takes up very little space in your bag, so you can easily bring it anywhere.
What significantly reduces the weight is the absence of a battery. All you have to do is plug it into your action camera, and it will activate. No matter how long you shoot, as long as your camera has enough power, you can record high-quality audio without having to charge your mic.
Where to buy
Specifications
- Weight: 1.6 oz
- What’s in the Box: Wind Muff, Windscreen
What we like
- Excellent choice for GoPro cameras
- Compact
- Reduces unwanted noises
- Easy to pack and carry
- Plug-and-play mechanism means it’s easy to use
What we don’t like
- Experts might still notice the ambient sounds picked up during recordings
8. Saramonic SR-XM1 Ultra-Compact Unidirectional 3.5mm TRS Microphone
The Saramonic SR-XM1 Ultra-Compact Unidirectional 3.5mm TRS Microphone is a budget-friendly option for casual vloggers or outdoor enthusiasts who like recording their adventures. It is compatible with most devices, including action cameras and camcorders.
This camera microphone attachment works on the plug-and-play principle and doesn’t need batteries. You can effortlessly plug it into your camera and begin recording content.
The unidirectional design allows you to record clear audio by focusing on the sounds where the mic’s directed and eliminating ambient noises. The 180-degree swivel makes it easy for you to adjust the mic’s position for the best possible results. However, be careful adjusting the angle because it tends to break easily when moved around aggressively or frequently.
If you’re using a smartphone or action camera, it’s best to turn off the wifi to prevent feedback during recording. Otherwise, you’d risk messing up the audio.
This microphone can pick up even the slightest noises when you’re moving, so it’s not the best companion for shoots with a lot of movement involved. The integrated shock mount isn’t that helpful. For stationary applications or recordings with minimal gestures, it produces quality audio.
Where to buy
Specifications
- Weight: 21 g
- Dimensions: 71.1 mm x 15.2 mm x 12.7 mm
- Type: Electret Condenser
- Polar Pattern: Omnidirectional
- Connector: ⅛” TRS (3.5 mm)
- Frequency Response: 35 Hz to 15 kHz
- What’s in the Box: SR-XM1 Ultra Compact Condenser Microphone, Foam Windscreen
What we like
- Budget-friendly
- Compatible with most devices, not just action cameras
- Easy to use with the plug-and-play method
- Battery-free operation
- Swivel allows you to adjust the angle for optimal recording
What we don’t like
- Swivel mechanism is quite fragile
- Picks up feedback when devices are connected to the internet
- Can pick up noises when constantly on the move
9. BOYA BY-MM1
A plug-and-play action camera microphone, the BOYA BY-MM1 is easy to use and set up. The 3.5 mm cables work with TRS and TRRS connections, so it is compatible with any recording device.
The lack of a battery means this mic is compact and lightweight. It comes with a carrying pouch, so organizing it in your bag is pretty straightforward. More importantly, you don’t have to worry about the cables getting tangled and messy.
Although this mic isn’t the best option for audio recording in populated places or loud environments, it does a great job indoors. It’s also not the best choice for moving shots. Considering its price, the audio quality is pretty favorable in ideal settings— quiet and with little to no movements.
The shock mount is said to reduce vibrations and handling noises. However, because of its poor construction, it can magnify unwanted sounds instead of eliminating them. It’s made of stiff plastic, so you might break it in a snap if you have heavy hands.
Where to buy
Specifications
- Weight: 86 g
- Length: 81 mm
- Transducer: Electret Condenser
- Polar Pattern: Cardioid
- Frequency Response: 35 to 18 kHz
- Plug: 3.5 mm TRS and TRRS Connection
- What’s in the Box: 3.5 mm TRS and TRRS Cable, Carrying Pouch, Furry Windshield
What we like
- Easy to set up
- Works with any recording device
- Lightweight
- Easy to organize and carry with the carrying pouch provided
- Produces quality audio indoors
- Reasonable price
What we don’t like
- Not the best option for recording in dense environments
- Poorly constructed shock mount
10. SENNHEISER MKE 200
SENNHEISER MKE 200 is one of those lightweight on-camera microphones that don’t need batteries. You only need a camera or smartphone to connect it to using a 3.5 mm jack, and you can start recording audio. Aside from being easy to set up, it doesn’t require battery replacements or recharging.
If you’ve already tried the SENNHEISER MKE 400, you might be disappointed with this microphone. It pales in comparison with the former, but it does deliver better audio quality than the built-in mic on your camera or smartphone. Always keep in mind that it isn’t a shotgun mic that records sounds as directly as other high-powered mics so that you can manage your expectations accordingly.
Despite the shock absorption and wind protection features, this camera mic can pick up a lot of background noise outdoors. At best, you can completely count on it when recording video at arm’s length. It is ideal for interviews and vlogs where the subject is only a few inches away.
Where to buy
Specifications
- Weight: 48 g
- Dimensions: 69 mm x 60 mm x 39 mm
- Frequency Response: 40 to 20,000 Hz
- Maximum Sound Pressure Level: 120 dB
- Transducer Principle: Pre-Polarized Condenser
- Pickup Pattern: Supercardioid
- Connection: 3.5 mm Locking Jack
- What’s in the Box: MKE 200 On-Camera Microphone, 3.5 mm TRRS Cable, 3.5 mm TRS Cable, MZH 200 Furry Windshield, Drawstring Pouch
What we like
- Lightweight
- Doesn’t need batteries
- Easy to plug and play
- Delivers better audio quality than a camera’s built-in microphone
- Ideal for recording at arm’s length
What we don’t like
- Pales in comparison with the SENNHEISER MKE 400
- Can pick up a lot of unwanted sounds in loud places
- Not suitable for shooting from a significant distance
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Frequently Asked Questions
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What is the best action camera microphone attachment?
Most on-camera microphone attachments are compatible with action cameras. The difference lies in the audio quality and ability to minimize vibrations while shooting on the move. Of course, an ideal option is also lightweight and portable so that you can quickly bring it wherever you go.
The following camera microphones are worth considering for your action camera:
- MOVO GM100
- Rode VideoMicro II
- SYNCO G2(A2)
Learn more about these products by reading our Action Camera Microphone Attachment buyers’ guide.
2. How do you make your camera microphone better?
Whether you have a smartphone, action camera, DSLR camera, or mirrorless camera, you can’t completely rely on their audio recording capabilities. The best way to optimize the audio quality of your videos is by using a dedicated on-camera microphone attachment.
Some of the best camera microphones include the following:
- BOYA BY-MM1
- Rode Wireless GO II
- SENNHEISER MKE 400
Check out our in-depth Action Camera Microphone Attachment buyers’ guide to learn more about camera microphone attachments.
3. How do you choose a DSLR camera microphone?
When choosing a DSLR camera microphone, you first need to check compatibility. Does it work with your camera? Is it easy to use, and does it only require a plug-and-play operation?
Another factor to consider is the audio quality. Does it come with enough accessories and features to reduce ambient noise and amplify your subject’s sounds? Is it only suitable for indoor recording, or can it also produce decent recordings when you’re moving?
It’s also crucial for the microphone attachment to be compact and lightweight. If you travel a lot with your gear, you should be able to pack it without hassle or taking up too much space in your bag.
Read our comprehensive Action Camera Microphone Attachment buyers’ guide to discover the best action camera microphone for you.